TIMES, TIME, AND HALF A TIME. A HISTORY OF THE NEW MILLENNIUM.

Comments on a cultural reality between past and future.

This blog describes Metatime in the Posthuman experience, drawn from Sir Isaac Newton's secret work on the future end of times, a tract in which he described Histories of Things to Come. His hidden papers on the occult were auctioned to two private buyers in 1936 at Sotheby's, but were not available for public research until the 1990s.



Wednesday, January 17, 2018

Redefinitions of Currency 1: Óscar Pérez and the Rise of the Petro-Yuan


Óscar Alberto Pérez, ex-policeman and Venezuelan rebel leader died on Monday (7 April 1981 – 15 January 2018). Image Source: Newsweek.

This post is a preface to a series of posts in which I will begin to explore how technology and globalization are changing what we call 'currency' in all its forms: from Canada's sale of the country's total gold reserves in 2016, to the ups and downs of Bitcoin and other cryptocurrencies, to the evolution of the Internet into an economy of value (and what that means).

For today, we start with a glance at Venezuela, where President Nicolás Maduro Moros last September planned that his country would abandon the Petro-Dollar and take up the Petro-Yuan. Since 1974, the American dollar has functioned as the de facto global currency because it was the main currency for oil purchases, and thus for all other commodities and trade.

Now that arrangement is changing, under the leadership of Russia, China, and Iran, as oil is being priced in the Chinese Yuan: "This is about the implementation of a huge, new alternative reserve currency zone, bypassing the US dollar." If you believe sources like Russia Today, we are watching the American Petro-Dollar die, and the period from 1974 to the present is dying with it, including its power structure, its key players, and its principles of control. This is the start of a new era.

Monday, January 1, 2018

Wonders of the Millennial World 9: A New Year's Walk on the Beach


Image Source: Boston Magazine.

Happy New Year! Welcome to 2018. Today, see the creations of Dutch artist Theo Jansen who "demonstrates the amazingly lifelike kinetic sculptures he builds from plastic tubes and lemonade bottles. His creatures are designed to move -- and even survive -- on their own." (Hat tip: The Outer Light.)

Car commercial: BMW (South Africa). Defining innovation (15 August 2006). Video Source: Youtube.

Jansen creates skeletons which walk by means of wind- and solar power. His latest creation in 2017 was called Strandbeest, or 'Beach Beast.' TEDx explains that Jansen tries to invest his creations with primitive intelligence so that they can act autonomously in their own rudimentary self-interest:
"[The artist] builds large works which resemble skeletons of animals that are able to walk using the wind on the beaches of the Netherlands. His animated works are a fusion of art and engineering; in a car company television commercial Jansen says: 'The walls between art and engineering exist only in our minds.' He strives at equipping his creations with their own intelligence to manage avoiding obstacles, by changing their course when one is detected, such as the sea itself."

Image Source: Web Urbanist.

Saturday, December 30, 2017

An Operatic Death of the Old Year


Bryn Terfel and Deborah Voigt in the Metropolitan Opera’s 2011 production of Die Walküre, on the machine, the 45-ton set of movable planks. Image Source: Andrea Mohin/The New York Times.

To celebrate the death of the old year 2017, and remind us that life is but a play and all the world's a stage, here are some gothic shots of recent opera sets. There is no shortage of supposed Illuminati imagery.

Met Opera 2016/2017 production of Mozart's Idomeneo. Image Source: kreattivita.

"History buffs will enjoy I Puritani, which is set in the English Civil War era of the Puritans versus the Royalists. While this production doesn’t quite stick to script when it comes to historical accuracies, taking a few liberties for the sake of the story, it does stick with a universal idea that was relevant to the time period. Diana Damrau and Javier Camarena star as Elvira and her beloved Arturo. Run dates: February 10—February 28 [2017]." Image Source: City Guide NY.

The Met: Offenbach's Les Contes d'Hoffmann (2009 and 2017-2018). Image Source: Opera News.

Tuesday, December 26, 2017

Christmas Coups



Since October, the Internet has been gripped by fevered speculation boiling up from 4chan and 8chan. A mysterious leaker going by the handle 'QAnon' has been releasing cryptic messages about American political drama behind the scenes. The tweet above, and another from the US Navy, resemble Q's posts on 8chan made before Christmas, hinting that Q is connected to the military or intelligence. Even Trump himself appears to have made tweets which connect to Q's posts. This implies that the military supports Trump's administration and current consolidation of power. If you are curious, all of Q's messages have been archived here.

Screenshot Source: The Daily Rabbit Hole.

Among other things, the speculation around Q refers to: American domestic politics; photos taken from Air Force One; Julian Assange and a break-in at the WikiLeaks' lawyers' offices Baltasar Garzon in Madrid on 18 December 2017; UFO rumours (for mainstream coverage, go here, here and here); and the Koreas.

An alt-media summary: Who is Q Anon An overview (24 December 2017). Video Source: Youtube.

The discussion about QAnon is a huge interactive experience, largely ignored Trump's critics, who would not search for, or watch, this information. But they should pay attention: this covert underground extravaganza is a lesson on how Trump dominates the Internet and derives his support from it, no matter how much the tech giants censor his supporters. Q prompts netizens to embark on a crowd-sourced information treasure hunt to decode his or her posts. Some of them have tabulated their answers to Q's hints and questions here. You can see the impact of the campaign on Twitter here and Reddit here. For example, the tweet below asks whether the CIA is arming North Korea in response to Q's Matrix prompt, Follow the White Rabbit.


One Youtube commenter felt that Q's posts are not leaks so much as the next generation of mass manipulation. That is, leaks carry an aura of legitimacy and righteousness, a scourge on the corrupt den of politics. But really, that righteousness is a smokescreen for what is effectively a military coup. Or so the chatter maintains:
"Consider that Q is a psy op. Yes, it does seem to be coming from high up. But we should be questioning the narrative that says lay down and let the police state (martial law?) drain the swamp. How long will it take before we realize the horror of what this rollout really is? (Speculating. A possibility. Think Standing Rock) OR, when Trump's term is up and the swamp hasn't been drained anywhere near the extent that this narrative claims is currently happening, will we start to question the validity of Q (as well as the whole Trump savior narrative)? Notice how Hillary supporters wait with baited breath at Trumps demise the same as Trump's supporters wait for Hillary/Obama/etc. demise. How long will we wait and keep buying the bs that justice is currently underway so we should be patient. There are multiple narratives. Some are partly true. So, irresistible. What's the endgame Q? Or Tyler, or whoever the fuck you are."
Whatever Q is or is not, his or her underground posts show a superb grasp of Internet dynamics and underground mass media communication - and of managing an intended outcome from that communication. That intended outcome is not yet determined.

Some people think QAnon is NSA whistle-blower Thomas Drake because Drake often wears a 'Q' pin on his suit jacket lapel in interviews. Image Source: Open Canada.

(Hat tip: Jordan Sather, whom I have previously mentioned here; his Christmas video on this subject reached #42 in trending videos on Youtube today.)

ADDENDUM: For a 27 December 2017 discussion with the 8chan board owners on the significance of QAnon and the meaning of Leutze's painting of Washington crossing the Delaware, circulated in this context first by Q, then by the US Department of Defense, go here. Warning: some people may find the discussion to be questionable and offensive.

Monday, December 25, 2017

A Protestant Pilgrimage? An Interview with Andrew Wilson, Part I



To celebrate Christmas, I am very pleased to post the first part of an interview about Martin Luther with Andrew Wilson. As I noted in a previous post, this past Hallowe’en marked the 500th anniversary of the day when Luther (1483-1546) nailed the Ninety-five Theses to the door of All Saints’ Church in Wittenberg.

Andrew has written a book which seeks the origins of that historic event in 1517. He is the author of Here I Walk: A Thousand Miles on Foot to Rome with Martin Luther. He completed his PhD at Princeton Theological Seminary and then embarked on a fascinating project to retrace Luther’s steps when the famous monk undertook his only trip to Rome, on foot, in 1510 or 1511.


Andrew’s wife, Sarah Hinlicky Wilson, accompanied Andrew on the 500th anniversary of Luther’s journey to Rome in 2010. They hiked across half of Germany, through parts of Austria and Switzerland, over the Alps, and finally across northern Italy to Rome, in a walking tour that covered one thousand miles. Their remarkable effort inspired the book, Here I Walk. Sarah wrote the book’s afterword.

The Wilsons’ travels became a practical meditation on Protestant and Catholic faiths in the Millennial world, even as they physically retraced history. Luther’s first hand experience of Rome’s corruption is usually linked with his later protest against his mother church. Did something else occur on Luther’s trip that tipped him toward the Reformation?

It was only 500 years ago, but as Andrew and Sarah discovered on their journey in 2010, the exact connections to Luther’s world are elusive. Luther’s German Europe was a place of scattered principalities, dukedoms, and free cities, not unified nation-states. In Rome, the pope was a temporal prince as well as the Church’s spiritual father, who declared wars to protect his territory; the pope also made strategic alliances with other princes. Despite these differences, the aftershocks of what Luther accomplished in response to that late medieval papal model still remain imprinted in subtle ways on communities, and on people’s minds, hearts, and souls. There are threads of connection between that time and this one, some tangible, some intangible.

The Camino de Santiago: a map of the travels of Saint James in Europe, now a famous path for pilgrims. Image Source: Manfred Zentgraf/Wiki.

Because the Wilsons wanted to follow Luther’s path to Rome, theirs was a Protestant pilgrimage. Pilgrimages were historically an anathema to most Protestants because they could not imagine them apart from efforts to acquire ‘merit’ in the eyes of God, although as I have remarked in my post on the Camino de Santiago, even atheists now go on pilgrimages. There are other religious ways to walk along the Way of Saint James than the Catholic visitation of holy sites and relics. And in fact, the Wilsons wanted their trek to be ecumenical in nature. Pilgrims’ trails are ancient paths, anchored in a prehistoric human existence. (p. 78) The Way of Saint James was an important interconnected footpath long before Saint James ever existed! This path spans a continent and responds to something eternal in human nature.

A German farming community left out produce for sale on the road, with the sign Selbstbedienung, meaning 'serve yourself' or 'self-service.'

This first part of this interview covers the Wilsons’ pilgrimage from Strasbourg to Erfurt, Germany, up to their passage through the Swiss Alps. The second part of the interview will cover their walk out of the Alps into Italy.

Note: All quotations are from the paperback edition: Andrew L. Wilson, Here I Walk: A Thousand Miles on Foot to Rome with Martin Luther. Afterward by Sarah H. Wilson. Grand Rapids, Michigan: Brazos Press, 2016. All photographs are from Andrew and Sarah Wilson's collection.